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⇧ Spezialanstalt für musikalische
Arbeiten
— Georg Tomay —
Wien, I., Fichtegasse 1a Tel R-22-419
⇧ Herrn Professor D r. Heinr. Schenker
Wien III.
Matritzen Zeichnungen für Lichtpausdruckverfahren von „Analysen von [?Tonurlinien]“
1
| Chopin Etude Op. 10 No
12 |
Hintergrund und Mittelgrund |
|
Sch |
16.– |
|
Vordergrund I |
|
|
22.– |
|
Vordergrund II/III |
|
|
28.– |
|
Vordergund IV |
|
|
22.– |
| J. S. Bach |
Choral „Ich bins, ich sollte büssen“ |
|
|
19.– |
|
Wohtemperiertes Clavier |
|
|
19.– |
| Haydn Sonate Es dur G. A. No
49 |
Durchführung I |
|
|
23.– |
|
Durchführung II |
|
|
20.– |
| Chopin Etude f dur Op. 10. No
8 |
Htg. und Mtg. |
|
|
13.– |
|
Urlinie Tafel I |
|
|
26.– |
|
Urlinie Tafel II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
A cto 5. V. 88.– |
|
|
|
|
17. V. 10.–[
2
|
A. cto ab |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
dankend [?subliert
]
[signed:]
G
Tomay
© Transcription Ian Bent, 2023
|
⇧ Specialist Firm for Musical
Works
— Georg Tomay —
Vienna I, Fichtegasse 1a Tel R-22-419
⇧ Professor Heinrich Schenker
Vienna III
Matrix drawings for the blueprint printing process of „Analyses of Tone [?Urlinien]“
1
| Chopin Etude, Op. 10 No. 12 |
Background and Middleground |
|
Sch |
16.– |
|
Foreground I |
|
|
22.– |
|
Foreground II/III |
|
|
28.– |
|
Foreground IV |
|
|
22.– |
| J. S. Bach |
Choral “’Tis I, I should repent” |
|
|
19.– |
|
Well-tempered Clavier
|
|
|
19.– |
| Haydn Sonata in Eę major, Col. Edn. No.
49 |
Development Section I |
|
|
23.– |
|
Development Section II |
|
|
20.– |
| Chopin Etude in F major, Op. 10. No. 8 |
Background and Middleground |
|
|
13.– |
|
Urlinie Graph I |
|
|
26.– |
|
Urlinie Graph II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
on account May 5
88.– |
|
|
|
|
May 17: 10.–
2
|
on account deduct |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
with thanks, paid
[signed:]
G.
Tomay
© Translation Ian Bent, 2023
|
⇧ Spezialanstalt für musikalische
Arbeiten
— Georg Tomay —
Wien, I., Fichtegasse 1a Tel R-22-419
⇧ Herrn Professor D r. Heinr. Schenker
Wien III.
Matritzen Zeichnungen für Lichtpausdruckverfahren von „Analysen von [?Tonurlinien]“
1
| Chopin Etude Op. 10 No
12 |
Hintergrund und Mittelgrund |
|
Sch |
16.– |
|
Vordergrund I |
|
|
22.– |
|
Vordergrund II/III |
|
|
28.– |
|
Vordergund IV |
|
|
22.– |
| J. S. Bach |
Choral „Ich bins, ich sollte büssen“ |
|
|
19.– |
|
Wohtemperiertes Clavier |
|
|
19.– |
| Haydn Sonate Es dur G. A. No
49 |
Durchführung I |
|
|
23.– |
|
Durchführung II |
|
|
20.– |
| Chopin Etude f dur Op. 10. No
8 |
Htg. und Mtg. |
|
|
13.– |
|
Urlinie Tafel I |
|
|
26.– |
|
Urlinie Tafel II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
A cto 5. V. 88.– |
|
|
|
|
17. V. 10.–[
2
|
A. cto ab |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
dankend [?subliert
]
[signed:]
G
Tomay
© Transcription Ian Bent, 2023
|
⇧ Specialist Firm for Musical
Works
— Georg Tomay —
Vienna I, Fichtegasse 1a Tel R-22-419
⇧ Professor Heinrich Schenker
Vienna III
Matrix drawings for the blueprint printing process of „Analyses of Tone [?Urlinien]“
1
| Chopin Etude, Op. 10 No. 12 |
Background and Middleground |
|
Sch |
16.– |
|
Foreground I |
|
|
22.– |
|
Foreground II/III |
|
|
28.– |
|
Foreground IV |
|
|
22.– |
| J. S. Bach |
Choral “’Tis I, I should repent” |
|
|
19.– |
|
Well-tempered Clavier
|
|
|
19.– |
| Haydn Sonata in Eę major, Col. Edn. No.
49 |
Development Section I |
|
|
23.– |
|
Development Section II |
|
|
20.– |
| Chopin Etude in F major, Op. 10. No. 8 |
Background and Middleground |
|
|
13.– |
|
Urlinie Graph I |
|
|
26.– |
|
Urlinie Graph II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
on account May 5
88.– |
|
|
|
|
May 17: 10.–
2
|
on account deduct |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
with thanks, paid
[signed:]
G.
Tomay
© Translation Ian Bent, 2023
|
Footnotes
1 The editorial dating of this item is based on the diary entry for May 18 (see
footnote 2 below) supported by the two internal dates of May 5 and 17.
2 Schenker’s diary for May 17, 1932
records: “Tomay sen. bringt op. 10VIII.” (“Tomay
senior brings Op. 10, No. 8.”); that for May 5 does not have a similar entry. —
Schenker’s diary for May 18, 1932 records: “Tomay jun. bringt Korrigiertes, nimmt die letzten
Blätter mit u. bringt alles nach einer Stunde wieder – abgeschlossen! – S. 229”
(“Tomay junior brings corrected pages, takes the remaining pages with him, and
returns with everything an hour later – finished! – 229 shillings.”), which
corresponds with the figure two lines above.
|
Commentary
- Rights Holder
-
Heirs of Georg Tomay; deemed to be in the public
- License
-
All reasonable attempts have been made to identify heirs of Georg Tomay. This document is deemed to be in the public domain. Any claim to intellectual rights should be addressed to the Schenker Correspondence Project, Faculty of Music, University of Cambridge, at schenkercorrespondence[at]mus(dot)cam(dot)ac(dot)uk.
- Format
-
1p invoice, stamped sender address, holograph (Georg Tomay) salutation, account, valediction, and signature, holograph (Tomay jnr) receipt and signature
- Provenance
-
Schenker, Heinrich (document date-1935)--Schenker, Jeanette (1935-1938)--Oster, Ernst (1938-c.1939)—New York Public Library (c.1939-)
Digital version created: 2023-08-17
Last updated: 2011-10-11
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