OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Friday, April 18, 1913
|
18. Weisse † viel Aufgaben, gut 1 ; 4. Prälude; Brahms Walzer Dm ; Artikulation verschieden v. Harmonie; die Veränderung {17} im mittleren Teil aus dem Grunde des Durchganges beim 2. Viertel der l. Hand; über die Sept-Accordbildung gegen Schluß; über die Wechselnoten in den letzten 4 Takten. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[April] 18, [1913] Weisse † : Many exercises, good 1 ; Prelude No. 4; Brahms Waltz in D minor; articulation different from harmony; the change {17} in the middle section on the basis of the passing note on the second quarter in the left hand; about the seventh-chord construction toward the close; on the changing notes in the final four bars. © Translation Ian Bent, 2022-23 |
|
18. Weisse † viel Aufgaben, gut 1 ; 4. Prälude; Brahms Walzer Dm ; Artikulation verschieden v. Harmonie; die Veränderung {17} im mittleren Teil aus dem Grunde des Durchganges beim 2. Viertel der l. Hand; über die Sept-Accordbildung gegen Schluß; über die Wechselnoten in den letzten 4 Takten. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
|
[April] 18, [1913] Weisse † : Many exercises, good 1 ; Prelude No. 4; Brahms Waltz in D minor; articulation different from harmony; the change {17} in the middle section on the basis of the passing note on the second quarter in the left hand; about the seventh-chord construction toward the close; on the changing notes in the final four bars. © Translation Ian Bent, 2022-23 |
Footnotes1 Weisse’s study of counterpoint in April 1913 is discussed in detail in Timothy L. Jackson, "Punctus contra punctus …," Journal of Schenkerian Studies iv (2010), 138 and 140–42, collated with Weisse’s own surviving counterpoint notebooks. Lessons for April 15, 18, 22, and 25, the exercises, with Schenker’s annotations, for which are preserved in the first notebook, cover three-voice counterpoint, fourth species. |
|
Format† Double underlined |