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33 Variations on a Waltz by Diabelli, Op. 120

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composition

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  • 33 Variations on a Waltz by Diabelli, Op. 120
  • mc000104

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Correspondence

  • DLA 69.930/1 Handwritten letter from Schenker to Halm, July 8, 1917

    Schenker acknowledges Halm's letter; he discusses the relative merits of editions of Beethoven variations, and looks forward to seeing Halm's review of his "Beethoven editions"; he is putting the finishing touches to Kontrapunkt 2.

  • OJ 10/3, [74] Typewritten postcard from Deutsch to Schenker, dated November 22, 1927

    Deutsch suspects that with the typesetters' "messing up" of Schenker’s revised copy of Schubert’s “Unfinished” Symphony the material has been made illegible. — He has been in contact with people regarding a possible radio talk by Schenker, and one by himself on the redesigning of the Mozarteum. — He reports that the pianist Heinz Jolles would like Schenker to prepare an edition of one of Beethoven’s variation sets (WoO 80 or the “Diabelli”), and that Josef Braunstein is gratified to hear of Schenker’s interest in his recent book on the "Leonore" overtures.

  • OJ 10/3, [75] Typewritten letter from Deutsch to Schenker, dated December 2, 1927

    Deutsch encloses Schenker’s score of the “Unfinished” Symphony that was used used for the new edition and Alfred Kalmus’s apologetic letter. He mentions the pianist Heinz Jolles’ interest in Schenker’s editorial work, in the hope that Schenker might at some point tackle Beethoven’s “Diabelli” Variations.

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