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OJ 10/3, [94] Typewritten postcard from Deutsch to Schenker, dated October 3, 1928
Deutsch apologies for being late to his meeting with Schenker, because his
clock was running 10 minutes slow.
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OJ 10/3, [95] Typewritten picture postcard from Deutsch to Schenker, dated October 8,
1928
Deutsch has received information from Breitkopf & Härtel concerning the
three volumes of piano sonatas by Haydn in the collected edition; he thinks that they are
very expensive.
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OJ 14/45, [73] Handwritten letter from Moriz Violin to Schenker, dated October 26, 1928
Violin queries Schenker's suggestion for displaying graphic work by
light-projection. He has recently made the acquaintance of a Hamburg organist name
Hahnemann, who teaches only according to Schenker's theory. Finally he asks whether the
"last volume" (Der freie Satz) has been published.
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OJ 15/15, [33] Handwritten postcard from Weisse to Schenker, dated October 23, 1928
Weisse points out a part-writing error in Schenker's Counterpoint, vol. 2. He
suggests that his teacher looks at Alois Haba's recently published Neue Harmonielehre, and
commends Oppel's recent article on Bach's fugal technique.
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OJ 5/38, [50] Handwritten picture postcard from Heinrich to Wilhelm Schenker, undated, postmarked
October 9, 1928
Heinrich reports that his blood-sugar level has fallen significantly; he will
soon report on the new diet.
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OJ 5/38, [52] Handwritten letter from Heinrich to Wilhelm Schenker, dated October 22,
1928
Heinrich gives his brother a brief report on his health, then says that his
doctor is recommending that he stay with the diet he has been following for the past year,
on the grounds that it is working well and the latest dietary theories have not yet been
adequately tested.
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OJ 5/7a, [20] (formerly vC 20) Handwritten postcard from Schenker to Cube, dated October 8, 1928
Schenker acknowledges receipt of Hammer portrait; urges Cube when in Cologne to
visit Gerhard Albersheim's parents and Felix Hupka.
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OJ 8/4, [58] Handwritten postcard from Schenker to Moriz Violin, dated October 9, 1928
Schenker is glad to hear that his friend's setback was only a minor one. He
has received a nice letter from Harry Hahn, together with a copy of his lecture and the
splendid voice-leading diagrams.
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OJ 8/4, [59] Handwritten postcard from Schenker to Moriz Violin, dated October 22,
1928
The large-format graphs prepared by Harry Hahn have been greeted
enthusiastically by Schenker's pupils and friends; Schenker suggests that a "light
projection apparatus" (i.e. an overhead projector), which is now often available in schools
and hospitals, might be more practical.
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OJ 9/34, [14] Handwritten letter from Cube to Schenker, dated October 4, 1928
Cube acknowledges OJ 5/7a, [18] and [19], and comments; reports on his own recent activities and
plans, and on events in the Conservatory, on a forthcoming Schubert festival, and Radio Vienna. He is about to
return the Hammer etching.