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LC ASC 27/45, [31] Handwritten letter from Moriz Violin to Schoenbeg, undated [March? 1949?]
Violin writes of his solitude and despair. He sees that Schoenberg is coming
to San Francisco, and pleads to be allowed to meet with him.
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LC ASC 27/45, [32] Handwritten letter from Moriz Violin to Schoenberg, undated [September? 17?,
1949]
Having read that Schoenberg did not attend a birthday concert for him in Los
Angeles, Violin asks after his health, anxious not to lose contact. He deplores a speech by
Furtwängler.
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LC ASC 27/45, [33] Handwritten letter from Moriz Violin to Schoenberg, undated [ late October?,
1949]
Violin writes of his longing for face-to-face communication with
Schoenberg.
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LC ASC 27/45, [34] Handwritten letter from Moriz Violin to Schoenberg, undated [October 1?,
1949]
Violin reports on a successful performance of a C. P. E. Bach concerto at the
Carmel Bach Festival and on a Music Teacher's Convention in San Francisco.
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LC ASC 27/45, [35] Handwritten letter from Moriz Violin to Schoenberg, dated December 22,
1949
Violin reports on his meeting with Roger Sessions and subsequent invitation to
Christmas Day lunch.
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LC ASC 7/50, [18] Typewritten letter (carbon copy) from Schoenberg to Moriz Violin, dated May 8,
1949
Schoenberg regrets that he has had to cancel his visit to San Francisco, as he
has also his trip to Germany for his 75th birthday celebrations. He hopes to be able to
invite Violin soon.
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OJ 70/35, [8] Typewritten letter from Schoenberg to Moriz Violin, dated April 1, 1949
Schoenberg regrets that he is unable to visit San Francisco on account of
ill-health. He suggests Violin write an article on Schenker's theories for the Musical
Quarterly. He hopes to send Violin his forthcoming book "Style & Idea."
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OJ 70/35, [9] Handwritten open letter from Schoenberg dated September 16, 1949, with handwritten
letter from Schoenberg to Moriz Violin, dated October 14, 1949
Schoenberg sends a copy of his open letter on his 75th birthday, embedded
within a letter in which he expresses pleasure at Violin's report of his Carmel
performance.
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OJ 70/37, [1] Typewritten letter from Roger Sessions to Moriz Violin, dated December 14,
1949
Roger Sessions proposes that he and Violin meet.