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FS 40/1, [22] Handwritten letter from Schenker to Salzer, dated June 6, [1934]
Schenker is breaking his association with Willfort and Kraus, but offers to
continue working with Salzer.
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FS 40/1, [23] Handwritten letter from Schenker to Salzer, dated June 11, 1934
Hoping that he and Jeanette will be able to get away on the 15th, Schenker
reports a conversation with Furtwängler, and the latter's praise for Jonas.
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FS 40/1, [24] Handwritten picture postcard from Schenker to Salzer, undated [June 18,
1934]
Reports contents of letter from Hans Weisse.
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OC 18/36 Typewritten letter from Arthur Waldeck to Schenker, dated June 3, 1934
After the failure of his initiative to fund a translation of Harmonielehre,
Waldeck tells Schenker of his plan to coauthor with Nathan Broder an article introducing
Schenker's theory [to English-speaking readers].
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OC 44/41 Handwritten letter from Hans Weisse to Schenker, dated June 2, 1934
Weisse will send Schenker his Variations and Fugue for 2 pianos when copies
are ready; he is glad to learn that Oswald Jonas's book will soon be published. He describes
the beauty of Tenants Harbor, Maine, where his family is spending the summer
vacation.
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OJ 10/18, [7] Handwritten letter from Elias to Schenker, dated June 17, 1934
Miss Elias sends best wishes for Schenker's [66th] birthday. She hopes that in
Böckstein he can recover after the exhausting work on Der freie Satz.
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OJ 10/3, [211] Typewritten postcard from Deutsch to Schenker, dated June 11, 1934
Deutsch apologizes to Schenker for not being in touch with him for several
weeks. He has received another unpleasant letter from Hoboken and would like to see Schenker
once more before Schenker leaves for his summer holiday.
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OJ 10/3, [212] Typewritten letter from Deutsch to Schenker, dated June 13, 1934
In this long letter Deutsch recounts events and circumstances concerned with
Hoboken’s library and the Photogram Archive, including the attempt by Oswald Jonas to place
an article on the Archive in English music journals and a Swiss newspaper, and Hoboken’s
intemperate behavior at an antiquarian music shop in London. Deutsch, trying to smooth over
points of friction, was himself accused both of neglecting his duties to Hoboken and of
being too familiar with new dealers in early music prints, who could be of service to the
library.
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OJ 10/3, [213] Typewritten letter from Deutsch to Schenker, dated June 29, 1934
Deutsch responds to queries about the forthcoming publication of Der freie
Satz, making recommendations about the contract, and the way in which Anthony van Hoboken is
to be invoiced for his financial support; he offers to proofread the text when the time
comes. -- His difficulties with Hoboken continue, this time over the purchase of some
inexpensive editions of music which could be replaced with better ones. -- He is to give a
course at the Vienna Academy; Hoboken needs to be informed about this, and he would like to
be able to tell Hoboken that he is offering this course at Schenker’s
prompting.
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OJ 11/16, [14] Typewritten letter from Furtwängler to Schenker, dated June 25, 1934
Furtwängler sends a letter of recommendation for Moriz
Violin.
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OJ 12/6, [32] Handwritten letter from Jonas to Schenker, dated June 11, 1934
Publication of Jonas's book has been delayed until June 22; — he may give a
lecture in conjunction with Edwin Fischer; — his Beethoven sketches article is in press; —
Hoboken is considering Jonas's proposed elucidatory edition plan in conjunction with a
putative publication by the Photogram Archive.
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OJ 12/6, [33] Handwritten letter from Jonas to Schenker, dated June 29, 1934
Jonas describes his summer travel plans, including Bayreuth; hopes to meet
Schenker in Vienna in August. Reports state of play on his book, a proof copy of which
Furtwängler is reading. Reports on recent lecture, and prospect of another
lecture.
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OJ 15/22, [7] Handwritten letter from Willfort to Schenker, dated June 14, 1934
Willfort, writing from Berlin, has been unable to make contact with Furtwängler.
— He has spent time with Jonas; — is disappointed that Schenker will not be in Vienna to hear
him conduct the Brahms' "Tragic" Overture; — gives travel plans; — inquires after Schenker's
reaction to his work on the "Moonlight" Sonata.
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OJ 5/18, 43 Handwritten letter from Schenker to Jonas, dated June 24, 1934
Schenker reports on visit from Furtwängler and future visit; — reacts to news
in Jonas's letter; — Brahms on Beethoven's notation; — printing of Der freie Satz begins
soon.
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OJ 5/38, [88] Handwritten letter from Heinrich to Wilhelm Schenker, dated June 23, 1934
Heinrich reports that he and Jeanette are holidaying near Bad Gastein this
year, having been advised to spend the summer months at a high elevation.
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OJ 5/38, [89] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated June 27,
1934
Heinrich writes a picture postcard to show his elder brother what Böckstein
looks like.
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OJ 70/17, [2] Typewritten letter from Furtwängler to whomever, dated June 25, 1934
Furtwängler recommends Violin.
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OJ 89/7, [9] Handwritten letter from Schenker to Hoboken, dated June 12, 1934
Schenker recounts a visit to Grinzing to view Hoboken's new house, and then to
the Kobenzl; — reports on last-minute work for Der freie Satz and a new edition of the Beethoven
piano sonatas; — comments on political developments in Europe; — Jeanette and he are leaving for
the summer vacation.
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OJ 9/34, [40] Handwritten letter from Cube to Schenker, June 2, 1934
Quotes part of a letter from the Reichsmusikkammer regarding grounds for his
dismissal, and reports subsequent conversation with the Conservatory administration.
Encloses review of a recent lecture. Includes revised Ursatz for Bach Prelude in body of
letter. Inquires about Hans Wolf, and reports on Furtwängler.
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OJ 9/34, [41] Handwritten letter from Cube to Schenker, dated June 7, 1934
Acknowledges a (non-extant) letter in which Schenker had expressed dismay at a review (enclosed
with OJ 9/34, [40]) of a recent lecture by Cube, who explains the circumstances under which he had to disguise
the source of some of his ideas: Schenkerian theory is regarded as "Jewish rubbish," and is no longer discussed;
one has to choose one words carefully.