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OC 52/908 Typed letter from Hugo Winter (UE) to Schenker, dated December 28, 1926
Payments for Beethoven sonatas and Der Tonwille have been transferred.
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OC 54/109 Typed letter from Alfred Einstein (DMV) to Schenker, dated December 11,
1926
Although he is confident that Drei Masken Verlag is not bound to publishing
Schenker’s second Meisterwerk Yearbook, Einstein suggests that the two of them come to a new
financial agreement so that production can take place.
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OC 54/110 Typed letter from Alfred Böhme (DMV) to Schenker, dated December 17, 1926
Drei Masken Verlag inform Schenker that a glowing review of the first
Meisterwerk volume has appeared in Der Abend, and ask that he send them details of interested individuals to whom they can forward the review.
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OJ 10/1, [99] Handwritten postcard from Dahms to Schenker, dated December 28, 1926
Dahms's review of Meisterwerk 1 is out. Christmas greetings.
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OJ 11/54, [9] Handwritten postcard from van Hoboken to Schenker, dated December 2, 1926
Hoboken cannot attend December 3 lesson.
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OJ 14/8, [13] Handwritten picture postcard from Paul & Anna Schiff to Heinrich & Jeanette
Schenker, dated December 22, 1926
Paul and Anna send Christmas greetings.
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OJ 5/38, [23a] Handwritten letter from Heinrich & Jeanette to Wilhelm Schenker, dated “Saturday
evening” [December 18, 1926]
In an 8-page letter, Heinrich acknowledges the receipt of his brother’s witty
letter, apologizes for not visiting him at the end of the summer. — He continues to complain
about the way in which his publishers have treated him. — He has played chamber music with
his nephew Georg, a talented musician. — He is sending Wilhelm a book by the German humorist
Wilhelm Busch. —Jeanette reports a visit from one of her sisters, the first time she has
been with a family member since 1910.
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OJ 5/7a, [7] (formerly vC 7) Handwritten postcard from Schenker to Cube, dated December 19, 1926
Schenker acknowledges receipt OJ 9/34, [4], and asks to be told
outcome.
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OJ 6/7, [30] Handwritten letter from Schenker to Moriz Violin, dated December 19, 1926
Schenker expresses his delight that his friend received sufficient financial
help to be able to move into a new apartment for the sake of his son Karl's health. He
reports having shown Agnes Becker some straightforward examples of the Urlinie, out of
desperation (she shows little aptitude for piano playing), and then explains that a great
deal of time, patience and faith are needed to understand such things. Of his current
pupils, only Elias, Brünauer, Hoboken and (to some extent) Albersheim are capable of
following the ramifications of the new theory, which he sees as his unique gift to the
world. At present, he is working on his "crowning work," Free Composition.
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OJ 9/34, [4] Handwritten letter from Cube to Schenker, dated December 14, 1926
Cube was not given recognition, and has to take an examination for purposes of the appointment. Sends
Christmas greetings.
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OJ 9/34, [5] Handwritten letter from Cube to Schenker, dated December 31, 1926
Teaching situation has been resolved; asks Schenker's advice on an Urlinie graph; will hear from
Conservatory in New Year; sends New Year's greetings.
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OJ 9/4, [2] Typewritten letter from the Alexander Wunderer (Akademie für Musik) to Schenker, dated
December 21, 1926
The accumulated interest is available for distribution for the Sofie Deutsch
stipend.
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UMdK Z 767 D/1926, [1] Handwritten letter from Schenker to the Akademie für Musik, dated December 17,
1926
Schenker inquires whether interest on the capital will be available for him to
award the Sofie Deutsch stipend in 1927.
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UMdK Z 767 D/1926, [3] Typewritten internal memorandum of the Akademie für Musik, dated December 21,
1926
Records the interest for 1925 and 1926 for the Sophie Deutsch Stipend of
1927.
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UMdK Z 767 D/1926, [4] Handwritten letter from Schenker to the Akademie für Musik, dated December 31,
1926
Schenker asks the amount of interest that will be available for the Sofie
Deutsch stipends in 1927.
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WSLB 373 Handwritten letter from Schenker to Hugo Winter (UE), dated December 30,
1926
Schenker requests continuation of half-yearly statements for the Musikalische
Theorien und Phantasien.