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OJ 15/16, [28] Handwritten letter from Weisse to Schenker, dated December 1, 1916
Weisse is looking forward to leave in mid-December and to seeing
Schenker.
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OJ 89/3, [10] Handwritten letter from Schenker to Hoboken, dated September 18, 1929
Schenker acknowledges check; — comments on Hoboken's work on a Chopin Etude; —
discusses an approach by Vrieslander; — explains how the possibility of a professorship at
Heidelberg had come about.
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PhA/Ar 56, [10] Handwritten postcard from Schenker to Kromer, dated November 22, 1929
Inquiry as to the whereabouts of the autograph of Beethoven Op.
90.
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OJ 89/5, [9] Handwritten letter from Schenker to Hoboken, dated November 7, 1932
Schenker reports that the [Vienna] Akademie wishes to introduce his Harmonielehre
into its curriculum in an abridged version. — The Gesellschaft der Musikfreunde has granted
consent.
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OJ 89/5, [13] Handwritten letter from Schenker to Hoboken, dated December 17, 1932
Schenker thanks Hoboken for the lesson fee, and reports that as he worked through
Brahms's file of Oktaven und Quinten, he found a piece of work in his own hand! — He reports
progress on Der freie Satz.
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OJ 6/8, [14] Handwritten letter, with envelope, from Schenker to Violin, dated December 19,
1932
In this characteristically long end-of-year letter to his friend, Schenker
mentions his forthcoming edition of Brahms’s study of consecutive octaves and fifths,
Jonas’s book on his achievements as a theorist, Zuckerkandl’s book on opera, and the
possibility of an English translation of his Theory of Harmony.
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OJ 5/38, [82a] Handwritten letter from Heinrich to Wilhelm Schenker, undated, probably written
December 21, 1932
Heinrich sends his elder brother Christmas greetings; he cannot write a long
letter because of a pressing assignment.
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OC 38/346v Handwritten letter from Violin to Schenker, dated December 22, 1932
In this partly incoherent message which responds to Schenker’s recent letters,
especially that of December 19, Violin urges his friend to remain optimistic. He will
discuss things with Furtwängler that should be beneficial. He asks to borrow Hindemith’s
letter to Schenker.
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WSLB-Hds 191.575 Handwritten postcard from Schenker to Deutsch, dated January 25, 1933
Schenker comments on an English completion of the “Unfinished” Symphony. He is
waiting for a decision from a Mr. K. [Alfred Kalmus], concerning a proposed
publication.
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OJ 15/16, [89] Handwritten letter from Weisse to Schenker, dated February 15, 1933
Weisse has received a copy of Otto Vrieslander's recently published songs and
has written Vrieslander a long, critical letter. — He reports on initiatives to have some of
Schenker's writings translated into English, and on the success of his analysis of the Bach
C major Prelude. Their having purchased copies of the Five Analyses in Sketchform/Fünf
Urlinie-Tafeln, published by the David Mannes School, is further testimony of Schenker's
success on American soil.
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OJ 89/6, [3] Handwritten letter from Schenker to Hoboken, dated February 17, 1933
Congratulating Hoboken on his forthcoming marriage to Frl. Boy, Schenker
reports that Kalmus is playing a devious financial game over Oktaven u. Quinten (which is in
press) and Der freie Satz (which he thinks will take two years to publish) that may yet see
the latter revert to Cotta. — He speaks of Marx's naiveté over the proposed school version
of Harmonielehre. — He reports on the remaining stocks of Das Meisterwerk in der
Musik.
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OJ 89/6, [4] Handwritten letter from Schenker to Hoboken, dated March 22, 1933
Schenker thanks Hoboken for money transferred, for contact with Dlabač, and
for information about Jonas. — Oktaven u. Quinten may be published within three weeks. —
Schenker has warned Kalmus about paper quality and lithographer. — He expresses reservations
about Joseph Marx for inability to understand his work. — Weisse has 90 students enrolled
for his course [at Mannes School]; and Furtwängler deems Schenker the "great music
theorist."
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OJ 14/10, [5] Handwritten letter from Rosa Weil to Jeanette Schenker, dated April 19,
1933
Rosa Weill reports that she has heard nothing of her brother Victor, assuming
that he will move to Palestine. —She comments sadly on the death of her sister, Frieda
(Glässner), for whose cremation she, Arnold, and Trude travelled to Berlin, and describes in
detail Frieda’s deteriorating condition and death. — Lene has moved from Berlin to Prague to
continue her medical training — Klara is somewhat improved.
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OJ 6/8, [22] Handwritten letter from Schenker to Violin, dated April 21, 1933
Schenker eagerly awaits Violin’s arrival in Vienna. He will soon send his
friend a copy of the Brahms study Oktaven und Quinten.
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OJ 89/6, [5] Handwritten letter from Schenker to Hoboken, dated April 24, 1933
Schenker is sending his Oktaven und Quinten, comments on it, and thanks
Hoboken for support; — comments on his "Erinnerungen an Brahms"; — hopes Hoboken will visit
in May.
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OJ 10/3, [189] Typewritten postcard from Deutsch to Schenker, dated April 25, 1933
Deutsch has seen Schenker’s edition of a Brahms’s manuscript at the Brahms
exhibition at the Society of the Friends of Music. He reports that Hoboken is
(re)married.
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OJ 14/10, [6] Typewritten letter from Arnold Weil to Heinrich and Jeanette Schenker, dated April
26, 1933
Arnold Weil thanks Heinrich Schenker for sending a copy of his Octaven u.
Quinten, offers a diplomatic comment, and points out a typographical error.
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OJ 9/8, [7] Handwritten postcard from Wilhelm Altmann to Schenker, dated April 29, 1933
Altmann thanks Schenker for sending a copy of his Brahms Octaven und Quinten
article.
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OJ 10/3, [190] Typewritten postcard from Deutsch to Schenker, dated May 2, 1933
Deutsch thanks Schenker for receipt of his facsimile edition [Brahms: Oktaven
und Quinten u. A.] and his newspaper article [“Was wird aus der Musik?”]. He mentions other
newspapers that might reprint his article or publish a review of the
edition.
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OJ 15/16, [92] Handwritten letter from Hans Weisse to Schenker, dated May 23, 1933
Weisse thanks Schenker for Brahms's Oktaven u. Quinten, which he finds too
specialist a work to be of use to the uninitiated in Schenker's approach, and therefore does
not recommend for translation into English or use as a textbook. He reports a brief meeting
with Alfred Kalmus and a recent concert of his works, including a new violin sonata. He
gives Schenker his summer holiday address.
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OJ 89/9, [2] Handwritten letter from Schenker to Hoboken, undated [October 7, 1933]
Schenker acknowledges receipt of money transfer; — alludes to Jonas's forthcoming
book and two other books now in progress about his work; — refers to a review of his Oktaven u.
Quinten that misunderstands the nature of Brahms's collection.